|
|
| Technical
Training > Lens Selection |
| |
| |
| >>
Lens Calculator |
To learn all about choosing the correct
lens for your camera and what all the terms mean, scroll down
to the bottom of this page OR click HERE
Use the calculator below to determine the
Field of View (FOV) for the lens and distance you need to view.
|
|
|
Distance to Object / Width x Height in Feet
|
| |
Focal Length |
5
ft. |
10
ft. |
15
ft. |
20
ft. |
25
ft. |
30
ft. |
40
ft. |
50
ft. |
75
ft. |
100
ft. |
150
ft. |
| |
2.8mm |
9
x 6 |
17
x 13 |
26
x 19 |
34
x 26 |
43
x 32 |
51
x 39 |
69
x 51 |
86
x 64 |
129
x 96 |
171
x 129 |
257
x 193 |
| 4mm
|
6
x 5 |
12
x 9 |
18
x 4 |
24
x 18 |
30
x 23 |
36
x 27 |
48
x 36 |
60
x 45 |
90
x 68 |
120
x 90 |
180
x 135 |
| 6mm
|
4
x 3 |
8
x 6 |
12
x 9 |
16
x 12 |
20
x 12 |
24
x 18 |
32
x 24 |
40
x 30 |
60
x 45 |
80
x 60 |
120
x 96 |
| 8mm
|
3
x 2 |
6
x 5 |
9
x 7 |
12
x 9 |
15
x 11 |
18
x 14 |
24
x 18 |
30
x 23 |
45
x 34 |
60
x 45 |
90
x 68 |
| 12mm |
2
x 1.5 |
4
x 3 |
6
x 4.5 |
8
x 6 |
10
x 8 |
12
x 9 |
16
x 12 |
20
x 15 |
30
x 23 |
40
x 30 |
60
x 45 |
| 16mm |
1.5
x 1.3 |
3
x 2.3 |
4.5
x 3.5 |
6
x 5 |
8
x 6 |
9
x 7 |
12
x 9 |
15
x 11 |
23
x 17 |
30
x 23 |
45
x 34 |
| 25mm |
96
x .72 |
2
x 1.5 |
3
x 2 |
4
x 3 |
5
x 3.5 |
6
x 4 |
8
x 6 |
10
x 7 |
14
x 11 |
19
x 14 |
29
x 22 |
| 50mm |
.48
x .36 |
.96
x .72 |
1.4
x 1 |
2
x 1.5 |
2.4
x 1.8 |
3
x 2 |
4
x 3 |
5
x 4 |
7
x 5 |
10
x 7 |
14
x 11 |
| 75mm |
.32
x .24 |
.64
x .48 |
.96
x .72 |
1.3
x .96 |
1.6
x 1.2 |
2
x 1.4 |
2.6
x 1.9 |
3
x 2 |
5
x 4 |
6
x 5 |
10
x 7 |
|
|
|
|
|
|
|
|
|
|
|
|
| 3mm
8mm |
8
x 6
3 x 2 |
16
x 12
6 x 5 |
24
x 18
9 x 7 |
32
x 24
12 x 9
|
40
x 30
15 x 11
|
48
x 36
18 x 14
|
64
x 48
24 x 18
|
80
x 60
30 x 23
|
120
x 90
45 x 34
|
160
x 120
60 x 45
|
240 x 180
90 x 68
|
| 5mm
40mm |
5
x 4
.60 x .45
|
10
x 8
1.2 x
.90 |
14
x 11
1.8 x 1.3
|
19
x 14
2 x 1.8
|
24
x 18
3 x 2 |
29
x 22
4 x 3 |
38
x 29
5 x 4 |
48
x 36
6 x 5 |
72
x 54
9 x 7 |
96
x 72
12 x 9
|
144
x 108
18 x 14
|
|
| |
| >>
Lens Selection Guide |
 |
FOCAL
LENGTH
The focal length of the lens is measured in mm and directly
relates to the angle of view that will be achieved. Short
focal lengths provide wide angles of view and long focal
lengths become telephoto, with narrow angles of view. A
"normal" angle of view is similar to what we see with our
own eye, and has a relative focal length equal to the pick
up device. Our online lens calculator is a simple to use
device for estimating focal length, object dimension, and
angles of view. |
 |
CAMERA FORMAT
The size of the camera's imaging device (CCD) also affects
the angle of view, with the smaller devices creating narrower
angles of view when used on the same lens. The format of
the lens, however, is irrelevant to the angle of view, it
merely needs to project an image which will cover the device,
i.e.: the same format of the camera or larger. This also
means that 1/3" cameras can utilize the entire range of
lenses from 1/3" to 1", with a 1/3" 8mm lens giving the
same angle as a 2/3" 8mm lens. The latter combination also
provides increased resolution and picture quality as only
the center of the lens is being utilized, where the optics
can be ground more accurately. |
| |
F STOP
The lens usually has two measurements of F stop or aperture,
the maximum aperture (minimum F stop) when the lens is fully
open, and the minimum aperture (maximum F stop) just before
the lens completely closes. The F stop has a number of effects
upon the final image. A low minimum F stop will mean the
lens can pass more light in dark conditions, allowing the
camera to produce a better image at night. A maximum F stop
may be necessary where there is a very high level of light
or reflection, as this will prevent the camera from "whiting
out", and help maintain a constant video level. All auto
iris lenses are supplied with Neutral Density spot filters
to increase the maximum F stop. The F stop also directly
affects the depth of field. |
 |
C or
CS MOUNT
Modern cameras and lenses are generally CS mount. With CS
mount cameras, both types of lenses can be used, but the
C mount lens requires a 5mm ring to be fitted between the
camera and lens to achieve a focused image. With C mount
cameras it is not possible to use CS mount lenses. |
 |
DEPTH OF FIELD
The depth of field refers to the area within the field of
view which is in focus. A large depth of field means that
a large percentage of the field of view is in focus, from
objects close to the lens often to infinity. A shallow depth
of field has only a small section of the field of view in
focus. The depth of field is influenced by several factors.
A wide angle lens generally has a larger depth of field
than a telephoto lens, and a higher F stop setting typically
has a larger depth of field than a lower setting. With auto
iris lenses, the automatic adjustment of the aperture also
means constant variation of depth of field. The small depth
of field is most apparent at night when the lens is fully
open and the depth of field is at its minimum. Objects that
were in focus during the day may become out of focus at
night. |
| |
AUTO or MANUAL IRIS
Generally we tend to use auto iris lenses externally where
there are variations in the lighting levels. Manual iris
lenses are used normally for internal applications where
the light level remains constant. However, with the introduction
of electronic iris cameras it is now possible to use manual
iris lenses in varying light conditions and the camera should
electronically compensate. There are several considerations
to this option though: the setting of the F stop becomes
critical; if the iris is opened fully to allow the camera
to work at night, the depth of field will be very small
and it may be more difficult to achieve sharp focus even
during the day. The camera can maintain normal video levels,
but it cannot affect the depth of field. If the iris is
closed to increase the depth of field, the low light performance
of the camera will be reduced.
VIDEO DRIVE or DIRECT
DRIVE
With auto iris lenses it is necessary to control the operation
of the iris to maintain perfect picture levels. Video driven
lenses contain amplifier circuitry to convert the video
signal from the camera into iris motor control. With direct
drive lenses, the camera must contain the amplifier circuitry,
and the lens now only contains the galvanometric iris motor
making it less expensive. The deciding factor depends on
the auto iris output of the camera. Most now have both types.
|
| |
|
|
| |
|